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Part of the Look Dev Toolkit.
Filmic Tone Curve is a look development tool that allows you to bring a filmic contrast curve into your image. It mimics the characteristics of analog film with a linear section around middle exposure and soft highlight (shoulder) and shadow (toe) roll-off. This DCTL is transfer curve aware, that is, it behaves consistently across different input transfer curves.  It is intended for use in a scene space and can be used to bake log-to-log LUTs. Please be aware that it requires the Studio version of Resolve.

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Part of the Look Dev Toolkit.
IRIS Pro is a bundle of high-end, professional palette-shaping DCTLs designed with the advanced requirements of look development in mind. It comprises of three modules which each come in three versions.
The three modules are:

• Density Pro
• Hue Pro
• Saturation Pro

All operations can be baked into custom LUTs.

This Hue Compressor DCTL allows you to compress hues around a selected target hue. The target hue acts similar to a magnetic field which attracts hues more strongly the closer they are to the target hue. Applications range from correcting skin tones to creating custom color palettes with ease. Complementary and Triadic modes allow you to select several target hues that act as the main color centers towards which adjacent hues will be compressed.
Please be aware that this DCTL requires Resolve Studio to run.
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This is a creative and unique DCTL which lets you selectively apply an S-curve style contrast to each hue vector separately. If you would like to selectively apply contrast to just the skin tone of your talent, or make that colorful piece of apparel pop just a little more, this is the perfect tool. It also features one custom hue band which lets you choose a hue angle of your choice to adjust. A focus slider allows narrowing the affected hue range for more surgical adjustments. Also features a pivot control and controls for preserving neutrals and saturation.

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Split Tone Pro is a professional look development DCTL for DaVinci Resolve. It allows tinting highlights and shadows separately in user defined hues while keeping midtones neutral to create the characteristic split tone effect of high end cinematic looks. Features like the peak highlight hue shift and the "Subtle" slider, which allows to refine the effect based on saturation, make this tool one of the most advanced split tone tools available. It supports a range of color spaces and can be used in scene-referred and display-referred workflows depending on the requirements of the look. Working display referred allows establishing a non-neutral, creative white point.
This product has replaced the 2 legacy "Split Tone Pro Custom" and "Split Tone Pro Classic" DCTLs.

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This is a complete tetrahedral DCTL for DaVinci Resolve Studio, allowing extremely clean hue, density- and saturation adjustments. It has a wide range of applications from individual shot level grading to camera matching and show LUT design. The DCTL allows you to choose the order of operations of the hue, saturation and density adjustments which can subtly or radically alter the results. This spares you having to utilise separate DCTLs and cluttering up your node tree.

This is an RGBCMY channel mixer which automatically preserves neutrals. It also comes with a "Preserve Luminance" and a "Hue" slider. Like all my tools, it is designed for use within a color-managed workflow. Please be aware that it requires the Studio version of Resolve. Includes a version without emoji-icons to prevent issues with control surfaces.

This Density DCTL allows you to reduce the luminance of colors as they increase in saturation, creating the characteristic color density associated with subtractive color models. It comes with controls for the six primary and secondary colors, two different density methods, as well as controls for density depth and highlight protection. Please note that this tool is designed for use in a color-managed workflow in a wide gamut log space.

Try the demo. | Need more features? Have a look at the IRIS Density Pro DCTL